There is no tomorrow!
I remember a conversation I had with one of my colleagues who was a staunch Roman Catholic. This was back in the 1990s when I was a journalist. Princess Diana and Mother Teresa had both died within days of each other. First, it was the “People’s Princess”, as the then British prime minister, Tony Blair had branded her, who was killed in a car crash in a Parisian tunnel desperately trying to give the persistent paparazzi the slip. Within a week afterwards, Saint Teresa (known as Mother Teresa back then) breathed her last peacefully at the headquarters of the Missionaries of Charity in Kolkata.
I had apparently irked my well-meaning Catholic friend when I mourned Diana’s death while seeming to be somewhat indifferent to the passing away of the little Albanian nun who had come to be referred to as the Saint of the Gutters. Therefore, for the record, I had to clarify that Diana was young, and therefore, her demise was untimely. Her children were still minors and she had not even turned 50. She had so much of her life ahead of her. On the other hand, the Saint had lived a long and successful life. She had responded to the call of her Lord and lived a life worthy of that calling. When she finally passed away at a ripe old age, it was not for us to grieve but to rejoice for a noble life that impacted many. Finally, the Saint had gone to be with her Lord.
Similarly, the untimeliness of the sudden demise of Sridevi makes it heartbreaking. She was merely 54—hardly the age that would remind one of human mortality. Almost five decades of that brief lifespan, cut short by a cruel quirk of fate, were spent before the camera. From a child actor, through her adolescence, she had gone on to evolve into the megastar she became, while still relatively young. There were other actors before her who had crossed over from the other side of the Vindhyas, but none had attained mega-stardom in south Indian cinema before their Bollywood debut. Sridevi was already a big star in Tamil and Telugu movies when she made the transition.
I shall not look back at her career from the dispassionate and disinterested perspective of a film critic. I would like this to be a personal tribute to the star and the woman. This post may not even be a typical tribute to the deceased, a eulogy with form and structure, laced with anecdotes and statistics. Essentially, this post is just a bunch of thoughts—personal recollections of a diehard fan. To be honest, I had not heard much of Sridevi as I hardly watched Tamil or Telugu movies at that time.
However, her dramatic debut in Bollywood, opposite ‘the jumping Jack’, Jeetendra, in ‘Himmatwala’ changed all that, even as the film took Bollywood by storm. Incidentally, she passed away just a day before the anniversary of Himmatwala. The film set a new trend with its catchy music and colourful song-and-dance sequences and several other films followed suit, all of which were produced and directed by south Indians. Jeetendra’s flagging career got a huge fillip as he became a favourite of these mostly heroine-oriented movies.
I recall having watched most of these early films during my school and college days, marvelling at the versatility and vivacity of Sridevi. As I became her fan and especially looked forward to new releases featuring the first female superstar of Bollywood, I was held in thrall by her outstanding performances. From the vivacious young journalist chasing an invisible man in Mr India, to the adult child with accident-induced amnesia in Sadma, to the persistent lover of Lamhe, her films fascinated me no end. Her dance moves in Nagina in which she plays the mythical snake-woman were not just eye-catching but mesmerising.
The sheer range of emotions she displayed on screen was breathtaking. Shekhar Kapur, who directed Mr India, revealed in an interview how he did not know what to focus on when he stood behind the camera and watched Sridevi act. He recalled that it became a predicament, particularly during the shooting of the iconic 'Hawa-Hawai' song from Mr India. He lamented that while focusing on something specific such as zooming in on to her face, made him realise that he could miss something she was doing with the rest of her body.
At an awards function, when asked to pick the top three female actors of the time, Subhash Ghai had famously remarked that could not pick the top three but the top five. He clarified to a spellbound audience that while Sridevi was number one, no two of her contemporaries could be slotted into numbers two and three. In other words, he meant to say that Sridevi was by far the best actress of her generation. That I thought was a great tribute to the great artiste.
News of Sridevi’s death was a deja vu moment for me, as several years ago, when I was just a teenager, or probably in my early 20s, I had read in the morning newspapers the heartbreaking news of the passing away of Smita Patil, another great actor, whose diehard fan I was at that time. These untimely deaths of two outstanding actresses of different eras have taught me two vital lessons of life: never take life for granted, and never procrastinate. As my late father used to say, “what you can put off for tomorrow, do it today, and what you can put off for today, do it right now.”
I have been guilty of procrastination, putting off creative endeavours for later. I have allowed a couple of stories that could potentially form the plot and storyline of novels incubate in my mind for almost a decade. I have been guilty of indolence. Not putting pen to paper, or in the modern context, hitting the computer keyboard, feels like having committed a crime now. As Osho said in his characteristic style, “There is no tomorrow”.
If only Sridevi would have had a premonition of her short lifespan, I doubt she would have taken a 15-year break from acting. But then, that is something we would never know for sure, would we?